Movie girls are slang terms for movie genres that primarily deal with love and romance that are targeted to female viewers. This can be specifically defined as a genre in which a woman is a protagonist. Although many types of films can be directed to the female gender, "girl films" are usually used only in references to emotion-based films or relationship-based themes (although not necessarily romantic because the movie may focus on parent-child or friend relationships). Girls' films are often released en masse around Valentine's Day. The equivalent for a male audience is a guy-cry movie. Feminists like Gloria Steinem objected to terms like "girl movie" and related terms "chick lit", and film critics call the term "girl movie" degrading.
Video Chick flick
Definition
Generally, girls movies are films designed to have a woman's innate appeal, usually young women. Defining a girl movie, as The New York Times says, is more of a living room than a science game. These films are generally held in popular culture because they have the lines and characters of the modeling plot, line by line. This makes the use of the term "problematic" to imply "frivolity, ignorance, and utter commercialism", according to ReelzChannel. However, some girl movies have received high critical acclaim for their stories and performances. For example, the 1983 Terms of Endearment movie received the Academy Awards for Best Screenplay, Best Movie, Best Director, Best Actress, and Best Actor in Supporting Role. Recently, La La Land's girl movie, featuring Emma Stone and Ryan Gosling, won Best Actress at the Academy Awards. Both actors are best known for their role in girl movies before jumping to the academy level.
Some elements of girl movies often include having female protagonists, pink thematic use (along with metaphorical metaphors of colors), and dating-based romance and/or storylines. Old producer Jerry Bruckheimer has commented on the plot, "How do you overcome money and love?"
Women are usually portrayed in girls movies as sassy, ​​noble victims, or clutzy twudysomethings. Romantic comedy is considered a subgenre of girl movies. However, romantic comedies are usually respected more than girls movies because they are designed to attract men and women.
Female MSN.com commentator written by Kim Morgan,
[C] inema will not be the same without film for and about women. And we not only interpret movies about beautiful women, but all women and their problems - something that many people usually have no patience in real life. That's the sisters, right? Right... sister or movie.
Maps Chick flick
History
The term "girl movie" was not widely used until the 1980s and 1990s but was reportedly invented by Brian Callaghan from Montreal, Canada in the mid-1970s when discussing a movie with a friend in the schoolyard. It has its roots in early-twentieth-century female "photographs of women", depicting women as victims and housewives, and then the noir films of the 1940s and early 1950s, depicting threats from sexual women. In the 1950s, many women working in the World War II were facing a transition back home. Brandon French notes that female films in the 1950s "describe the various groups of problems and situations that women face in their transition from the forties into the sixties: romance, courtship, work, marriage, sex, motherhood, divorce, loneliness , adultery, alcoholism, widowhood, heroism, madness, and ambition. "
The 1961 movie Breakfast at Tiffany's, commonly known as one of the "classic" movies of the golden age of cinema, is sometimes regarded as an early girl movie because of common elements such as dealing with loneliness, obsessive materialism, and a happy ending. Writer Molly Haskell argues that girls' films are very different from women's films of the 1940s and 1950s because they are now "singing different songs." He felt that they were "more challenging and cheerful, post-modern and post-feminist."
In the US in the 1980s, a series of teen drama shots were also labeled as a girls movie released, many by director John Hughes. It often has a different tone and is more realistic than previous girl movies, with dramatic elements like abortion and personal alienation included.
Some girl movies have been patterned after the Cinderella and other tale stories (eg A Cinderella Story , Ever After , and Pretty Woman ), or even Shakespeare in case He is a Man and 10 Things I Hate About You . In addition, a large number are adapted from popular novels (eg The Princess Diaries , The Devil Wears Prada ) and classical literature (eg Little Women ). While most films are considered light films, some tension films are also included in this category, such as What's Below .
After a great success in the 2008 drama/romance movie Twilight, Paul Dergarabedian of Media By Numbers commented, "[t] he said 'girl movie' should be replaced by a big box-office. movies "and that" [t] he box-office influence from the female audience is just incredible, and it's been too long watched by the audience. "He also said," they have no trouble making money for things they love. "According to Fandango.com, over 75% of Twilight weekend viewers are female.
Response to the term
The term "girl movie" has produced some negative responses from the modern feminist community. Most critics of the genre concentrate on the negative consequences arising from certain gender interests, in this case film. Author The Chick Flick Paradox: Derogatory? Feminist? or Second? , Natalia Thompson, stated that the girl movie is "an attempt to unify all gender interests into one genre." While adjusting interests may seem helpful and natural, many critics argue that unnecessary gender can have negative consequences for many different social groups. In fact, there is evidence from Russian social scientist Natal'ia Rimashevskaia that gender stereotypes subsequently perpetuated by the media can cause discrimination against women and limit their "human and intellectual potential". More criticism of this term arises from the actual content of films in the girl movie genre and how content affects people's perceptions of women. Some people say that girl movies are micro-aggression. A micro aggression is an act or exchange that lowers a person by membership in "race, gender, age, and ability."
Critics of genre
Despite the success of the genre, some film critics disputed most of the girls' movies to have in common. Although subcategories represent different plot lines, the fifth has some of the same characteristics. Many girls can have "ironic tones, self-deprecating", claims film theorist Hilary Radner. This tone is one of the hallmarks of this genre, and many feel that it has no substance compared to other genres. Radner also went on to say the genre is "very heteronormative and white-washed." The general characteristics of this genre can lead to criticism from minority groups and social justice activists. More problems with the genre arise from the notion that girl movies play for the "conscious patriarch" of every woman.
In his article Structural Integrity, Historical Reversal, and Post-9/11 Chick Flick, Diane Negra focuses on some romantic comedy, considered a girl movie, made in New York City after the September 11th attacks, 2001. He claims that films "focus on women's subjectivity but rather encourage political work to stabilize post-9/11 national identity." The political and social turmoil following the attack led to the necessity of films demonstrating the importance of protecting gender and family norms, or "ideological boundaries," as opposed to an emphasis on "survivalism" and "domestic security", used to protect national. boundaries, seen in action films at the time. Coupled with the pre-9/11 "politically innocent" genre genre, the films are full of political tones intended "to stabilize national identity post 9/11."
While the girl movie plot is usually expected to center around the romantic conquest, Alison Winch ("We Can Have It All") writes about a movie she calls "girlfriend movie." These films emphasize the relationship between friends instead of focusing on love affairs, and examples include Bride Wars and Baby Mama .
Menurut Winch,
Girlfriend's film is often smart, "nervous," a female voice that reflects a distinctive romantic comedy, but greets female audiences in their assumptions about mine reciprocal relationship negotiations, body, work, family, depression - a common problem in behavior, and self-help books marketed specifically for women.
Winch also stated that the girlfriend's film is meant to criticize "the understanding of the second wave of feminism against women's solidarity" by showing "conflict, pain, and betrayal committed among women." By emphasizing the "complexity of women's relationships," girlfriend films breaks mold for ordinary girl films and allows the genre to gain a little depth.
Example
See also
References
- Notes
- References
- Aufderheide, Patricia. "Memoirs Movement Movie Feminist." Feminist Studies 27.1 (n.d.): 159-166. International Women's Studies. Web. 9 Dec. 2015.
- Cook, Samantha. Rough Guide for Chick-Flicks , Rough Guides Ltd, 2006.
- Erens, Patricia. Problems in Feminist Film Criticism. Bloomington: Indiana University Press, 1990. Print.
- Ferriss, Suzanne, and Mallory Young. Chick Flicks: Contemporary Women in Movies. New York: Routledge, 2008. Print.
- France, Brandon. On the Conge of Revolt: Women in American Movies of the Fifties. New York: Frederick Ungar Publishing Co., 1978. Print.
- Kaplan, E. Ann. Women and Movies: Both Sides of the Camera. New York: Methuen, 1983. Print.
- McIntosh, Heather. "Women's Representation." Encyclopedia of Woman in the World Today. Ed. Mary Zeiss Stange, Carol K. Oyster, and Jane E. Sloan. 1st ed. Thousand Oaks, CA: SAGE Publications, Inc., 2011. 1222-26. Knowledge of SAGE. Web. 9 Dec. 2015.
- Nance, Nicoletta C. "Implied Bias." The Encyclopedia of Human Services and Diversity. Ed. Linwood H. Cousins. Vol. 5 Thousand Oaks, CA: SAGE Publications, Inc., 2014. 695-97. Knowledge of SAGE. Web. 9 Dec. 2015.
- Negra, Diane. "Structural Integrity, History Reversals, and Post 9/9 Girls." Feminist Media Studies 8.1 (2008): 51-68. EBSCO . Web. 9 Dec. 2015.
- Radner, Hilary. Neo-Feminist Cinema: Girly Movie, Chick Flicks And Consumer Culture. New York: Routledge, 2011. Print.
- Rimashevskaia, Natal'ia. "Gender Stereotypes And Social Relations Logic." Russian Social Science Review 49.3 (2008): 35-48. International Women's Studies. Web. Dec. 8. 2015.
- Thompson, Natalia M. "The Chick Flick Paradox: Derogatory? Feminist? Or Both?" Off Our Backs 37.1 (2007): 43. MasterFILE Premier. Web. Dec. 8. 2015.
- Winch, Alison. "We Can Have Everything." Feminist Media Studies 12.1 (2012): 69-82. EBSCO . Web. 9 Dec. 2015.
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